
Today, we’re going to talk about sideshow in film. There have been dozens of films and television shows to depict circuses and sideshows, but many of them take a rather ungenerous approach to the performers, either pitying them like the exploitation film Chained for Life or demonizing them like Something Wicked This Way Comes. Art imitates life: many people back when sideshows we’re still around thought the performers were monsters or dangerous. Nowadays there’s a perception that sideshow performers were nothing but poor, helpless, exploited souls who had no agency or say in the way their lives went. There is one film, however, who gave the performers the respect they deserved and managed to tell a gripping story in addition to it: Tod Browning’s Freaks.

and Daisy, left, who plays Frieda) and Tod Browning
Released in 1932, Freaks tells the story of a conniving aerialist, Cleopatra, and her brutish strongman lover, Hercules, who conspire to seduce Hans, the leader of the sideshow performers and a little person, away from his girlfriend Frieda, another little person, in order to get his large inheritance. Through the film, Cleopatra’s plan is discovered by the sideshow performers and to find out what happens after that, you have to watch the film. One of the many things that makes this film special is that it features many famous sideshow performers from the era: Harry and Daisy Earles (Little People), Daisy and Violet Hilton (Conjoined Twins), Johnny Eck (Legless Wonder), and Schlitzie (Pinhead). This cast is one that couldn’t be recreated. Modern medicine has made the conditions these performers have even rarer, so the cast literally irreplaceable.
For the sideshow enthusiast, this film is a must-watch. Due to the era sideshows were popular in, not much footage of these performers exists, so it’s fascinating to see the people you read about and see in pictures come to life. There is a frankly incredible scene where Prince Randian, a performer born without arms or legs, lights a cigarette using only his lips. We get to see an armless woman drink with her toes and Johnny Eck navigate the world without legs. As old sideshow banners would say, these are feats that need to be seen to be believed, and with Freaks we get to see them. Something to note about the activities I’ve described the performers doing is that they are mundane.
The beauty of Freaks is how mundane some of it is. We don’t see the performers doing trained acts or trying to impress a crowd. The film takes place behind the scenes of the circus, so most of what we see are the performers living their lives, not performing. None of them are locked in cages or chained up. They’re human beings doing the only jobs they’d be able to do at the time, willingly, and enjoying the community they’ve found in the show. We see them eating dinner, celebrating events, falling in love, and growing jealous. Because they’re around each other, they don’t act like they’re different or unusual, they just act like the human beings they are. They have flaws, they have hopes, they’re just regular people with unusual forms.

One of the most stunning and heart wrenching scenes in the film is the wedding of Hans to Cleopatra. This is the scene most people know from this film, as it involves the famous chant: “We accept her, one of us.” The sideshow performers chant this at Cleopatra to indicate that her marriage to Hans brings her into the family that the performers have built together. As they do this, they pass around a loving cup to further cement her status in their ranks. When Cleopatra, drunk on champagne, realizes this, she becomes furious and throws the loving cup into the face of Angeleo, the little person who had been passing it around. She shouts at the wedding party, calling them all freaks. The look of betrayal and heartbreak on everyone’s face when the word comes out of her mouth is truly moving.
There’s a reason I have elected to call this blog “Prodigies!” and have avoided the use of the term “freakshow” as much as possible. The people documented in the film Freaks and on this blog are anything but freaks. They’re human beings who deserve the same respect one would give to any stranger on the street. With the ending of the film, even if it makes the performers violent or cruel in it shows them protecting themselves. It gives them agency, something many popular depictions of their lives denies them. It shows them taking action for themselves. They aren’t inhuman monsters or pitiable creatures, they’re human beings who are taking revenge on those who treat them poorly.




